Senegal / Japan / Pakistan / United States / Australia / United Kingdom / India / /
Currency
USD / /
EntertainmentAwardEvent
the 1997 Venice film festival / Cannes / /
Event
Diplomatic Relations / Person Travel / /
Facility
University of Texas Press / Cinema Journal / Japanese Cinema / Cinema East / National Cinema / Western cinema / /
IndustryTerm
disparate media / contradictory products / contemporary networks / media figure / /
Movie
Antique Show / Tampopo / Bicycle Thieves / Hana-Bi / The Funeral / /
Organization
Columbia University / University of Texas Press / British Film Institute / Ainu association / /
Person
Donald Kirihara / Roland Barthes / Gong Li / Itami Juzo / David Desser / David Bordwell / Donald Richie / Howard Stern / Darrell William Davis / Sawachi Hisae / Kristin Thompson / Jacques Tati / Maureen Turim / David James / Noël Burch / Kitano Takeshi / Peter High / Edward Said / Akira Kurosawa / Beat Takeshi / Kitano / Joseph Anderson / Robert Bresson / Stephen Heath / Abbas Kiarostami / Karl Marx / Konishiki / Edward Branigan / Pablo Picasso / James Clifford / /
Position
businessman / good politician / noted writer / comedian / quiz-show host / commentator / Director-writer-actor / same artist / director of The Funeral / director / representative / marriage counselor / comedian / /
ProvinceOrState
Texas / Antique / Hawaii / California / /
PublishedMedium
the Cinema Journal / Cinema Journal / the Village Voice / /
Reigniting Japanese Tradition with Hana-Bi by Darrell William Davis This article interrogates Kitano “Beat” Takeshi’s Hana-Bi (Fireworks, 1997) for its appropriation of traditional Japanese iconography and its inse