Duchamp

Results: 230



#Item
16 Duchampoptics ‘Unknown reality’ works like a stereoscope. Octavio Paz ‘* Water Writes Always In * Plural’, Marcel Duchamp: Appearance Stripped Bare, p147. Given Duchamp’s life-long interest in optical illus

6 Duchampoptics ‘Unknown reality’ works like a stereoscope. Octavio Paz ‘* Water Writes Always In * Plural’, Marcel Duchamp: Appearance Stripped Bare, p147. Given Duchamp’s life-long interest in optical illus

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Source URL: www.timoriley.net

- Date: 2010-09-29 17:45:59
    226 M. CHEMILLIER & G. DUCHAMP Algorithme de réduction des degrés dans une gamme musicale

    26 M. CHEMILLIER & G. DUCHAMP Algorithme de réduction des degrés dans une gamme musicale

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    Source URL: smf4.emath.fr

    - Date: 2006-10-10 06:27:52
      3Eurographics/ACM SIGGRAPH Symposium on Computer AnimationK. Anjyo, P. Faloutsos (Editors) Physically Based Rigging for Deformable Characters Steve Capell, Matthew Burkhart, Brian Curless, Tom Duchamp, and Zoran P

      Eurographics/ACM SIGGRAPH Symposium on Computer AnimationK. Anjyo, P. Faloutsos (Editors) Physically Based Rigging for Deformable Characters Steve Capell, Matthew Burkhart, Brian Curless, Tom Duchamp, and Zoran P

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      Source URL: accad.osu.edu

      - Date: 2007-02-19 03:46:43
        4Marcel Duchamp et le refus du travail « Marx avait dit que les révolutions sont la locomotive de l’histoire mondiale. Mais peut-être les choses se présentent-elles tout autrement. Il se peut que les révolutions so

        Marcel Duchamp et le refus du travail « Marx avait dit que les révolutions sont la locomotive de l’histoire mondiale. Mais peut-être les choses se présentent-elles tout autrement. Il se peut que les révolutions so

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        Source URL: www.cip-idf.org

        - Date: 2014-06-09 08:12:09
          5Book Reviews as commercial BDSM (or bondage, dominance, submission, and sadomasochism), fan fiction, and shopping. For example, in Chappell’s essay on immersive, rolespecific dinner theaters, he demonstrates how bound

          Book Reviews as commercial BDSM (or bondage, dominance, submission, and sadomasochism), fan fiction, and shopping. For example, in Chappell’s essay on immersive, rolespecific dinner theaters, he demonstrates how bound

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          Source URL: www.journalofplay.org

          Language: English - Date: 2016-04-06 09:36:56
          6ANTÓNIO JOSÉ OLAIO CORREIA DE CARVALHO O CAMPO DA ARTE SEGUNDO MARCEL DUCHAMP DEPARTAMENTO DE ARQUITECTURA

          ANTÓNIO JOSÉ OLAIO CORREIA DE CARVALHO O CAMPO DA ARTE SEGUNDO MARCEL DUCHAMP DEPARTAMENTO DE ARQUITECTURA

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          Source URL: estudogeral.sib.uc.pt

          Language: Portuguese - Date: 2009-02-20 07:21:35
            7Book Reviews He does point out that youngsters made playgrounds out of places where adults did not want them to be, such as “streets, dumps, railroad yards, and harbor fronts,”

            Book Reviews He does point out that youngsters made playgrounds out of places where adults did not want them to be, such as “streets, dumps, railroad yards, and harbor fronts,”

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            Source URL: www.journalofplay.org

            Language: English - Date: 2016-04-06 09:37:33
            8The J.A. KONRATH Reading Order Checklist Contents Author Introduction

            The J.A. KONRATH Reading Order Checklist Contents Author Introduction

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            Source URL: www.jakonrath.com

            Language: English - Date: 2016-02-03 10:03:12
            9Dadaglobe Reconstructed Dadaglobe Reconstructed The Museum of Modern Art, New York June 12, 2016-September 18, 2016 Dadaglobe submissions from Jean (Hans) Arp (French, born Germany (Alsace–1966)

            Dadaglobe Reconstructed Dadaglobe Reconstructed The Museum of Modern Art, New York June 12, 2016-September 18, 2016 Dadaglobe submissions from Jean (Hans) Arp (French, born Germany (Alsace–1966)

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            Source URL: press.moma.org

            Language: English - Date: 2016-06-03 10:31:47
            10presences CÈLESTE BOURSIER-MOUGENOT curated by Mark Gisbourne September 7th – November 2nd 2013 Opening on Friday September 6th at 7 pm

            presences CÈLESTE BOURSIER-MOUGENOT curated by Mark Gisbourne September 7th – November 2nd 2013 Opening on Friday September 6th at 7 pm

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            Source URL: www.galeriemazzoli.com

            Language: English - Date: 2015-06-09 11:05:10