The New York Times / London Times / Washington Post / /
Continent
America / North America / Europe / Americas / /
Country
Germany / Japan / Austria / /
Facility
University of Chicago / /
IndustryTerm
college newspaper / /
Organization
Brooklyn Academy of Music / Dance Critics Association / Dance Heritage Coalition / Judson Memorial Church / the University of Chicago / Judson Church / /
Person
Al Carmines / Allen Hughes / Robert Streicher / Cage / Wendy Perron / Jenny Workman / Judson Dance / Elaine Summers / Kenneth King / Doris Humphrey / Aileen Passloff / Meredith Monk / Eddie Barton / George Jackson / Rudy Perez / Albert Reid / Sally Bowden / Sally Gross / Phoebe Neville / Julian Beck / James Waring / Tina Croll / Louis Horst / Carolyn Brown / Robert Morris / Rudolf Steiner / Alex Hay / Bernd Bienert (Tanztheaterinfluenced) / Elizabeth Keen / Steve Paxton / Art Bauman / Valeska Gert / Jeff Duncan / Barbara Dilley Lloyd / Serge Lifar / Robert Ellis Dunn / Valda Setterfield / Lucinda Childs / Fred Herko / Robert Rauschenberg / Slavenska / Erick Hawkins / Mark Morris / Ruth Emerson / Marlene Dietrich / Douglas Dunn / Howard Moody / Laura Dean / Al Hansen / Toby Armour / Simone Forti (Morris) / Jamie Cunningham / Jill Johnston / John Herbert McDowell / David Gordon / Paul Taylor / Yvonne Rainer / Maurice Blanc / Katherine Litz / Arlene Rothlein / Carla Blank / Don Redlich / Twyla Tharp / Wayne McGregor / David Vaughan / Martha Graham-derived / Washington Star / Kathy Posin / Andy Warhol / Deborah Lee / Trisha Brown / Judith Dunn / Judson Poets / Margaret Craske / Merle Marsicano / Billy Kluever / Judith Malina / Deborah Hay / William Dunas / Remy Charlip / /
Position
composer / skater / Dean / dancer-choreographer / choreographer / Hunter / King / /
Product
Eastern suspensions / /
PublishedMedium
The Dance Observer magazine / The New York Times / Washington Post / The Village Voice / /
Judson Church: Dance by George Jackson In 1962, Judson Church became the home for dance that differed from conventional performances in both text (the action and choreography) and context (the manner of