Brian Massumi

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1EVERYWHERE YOU WANT TO BE Introduction to Fear Brian Massumi From The Politics of Everyday Fear Edited by Brian Massumi (Minneapolis : University of Minnesota Press, 1993), pp. 3-38

EVERYWHERE YOU WANT TO BE Introduction to Fear Brian Massumi From The Politics of Everyday Fear Edited by Brian Massumi (Minneapolis : University of Minnesota Press, 1993), pp. 3-38

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Source URL: www.brianmassumi.com

Language: English - Date: 2007-09-10 20:29:28
    2Fear (The Spectrum Said) Brian Massumi That momentary paralysis of the spirit, of the tongue and limbs, that profound agitation descending to the core of one’s being, that dispossession of self we call intimidation. .

    Fear (The Spectrum Said) Brian Massumi That momentary paralysis of the spirit, of the tongue and limbs, that profound agitation descending to the core of one’s being, that dispossession of self we call intimidation. .

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    Source URL: www.brianmassumi.com

    Language: English - Date: 2009-01-11 19:34:40
      3INTRODUCTION Concrete Is as Concrete Doesn’t Brian Massumi From Parables for the Virtual: Movement, Affect, Sensation (Durham: Duke University Press, 2002)

      INTRODUCTION Concrete Is as Concrete Doesn’t Brian Massumi From Parables for the Virtual: Movement, Affect, Sensation (Durham: Duke University Press, 2002)

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      Source URL: www.brianmassumi.com

      Language: English - Date: 2007-09-10 20:32:13
        4PANOSCOPIA The Panoramic Photography of Luc Courchesne Brian Massumi The popular success of the painted panorama in the nineteenth-century hinged, according to social historian Stephan Oettermann, on its popularization o

        PANOSCOPIA The Panoramic Photography of Luc Courchesne Brian Massumi The popular success of the painted panorama in the nineteenth-century hinged, according to social historian Stephan Oettermann, on its popularization o

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        Source URL: www.brianmassumi.com

        Language: English - Date: 2007-09-10 20:32:28
          5INTERFACE AND ACTIVE SPACE Human-Machine Design Brian Massumi. From Proceedings of the Sixth International Symposium on Electronic Art (Montreal, 1995).

          INTERFACE AND ACTIVE SPACE Human-Machine Design Brian Massumi. From Proceedings of the Sixth International Symposium on Electronic Art (Montreal, 1995).

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          Source URL: www.brianmassumi.com

          Language: English - Date: 2007-09-10 20:31:57
            6 SONIC WARFARE Technologies of Lived Abstraction Brian Massumi and Erin Manning, editors Relationscapes: Movement, Art, Philosophy, Erin Manning,  Without Criteria: Kant, Whitehead, Deleuze, and Aesthetics,

            SONIC WARFARE Technologies of Lived Abstraction Brian Massumi and Erin Manning, editors Relationscapes: Movement, Art, Philosophy, Erin Manning,  Without Criteria: Kant, Whitehead, Deleuze, and Aesthetics,

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            Source URL: ciudadtecnicolor.files.wordpress.com

            - Date: 2010-08-08 20:25:23
              7The Turn to Affect: A Critique Ruth Leys If you don’t understand try to feel. According to Massumi it works.1 In this essay I plan to discuss the general turn to affect, particularly the turn to the neurosciences of em

              The Turn to Affect: A Critique Ruth Leys If you don’t understand try to feel. According to Massumi it works.1 In this essay I plan to discuss the general turn to affect, particularly the turn to the neurosciences of em

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              Source URL: www.soc.ku.dk

              Language: English - Date: 2015-05-15 10:05:43
              8PUBLICATIONS Books The Matrixial Borderspace: Essays by Bracha Ettinger, edited by Brian Massumi (Minneapolis: University of Minnesota Press), in press. Parables for the Virtual: Movement, Affect, Sensation (Durham: Duke

              PUBLICATIONS Books The Matrixial Borderspace: Essays by Bracha Ettinger, edited by Brian Massumi (Minneapolis: University of Minnesota Press), in press. Parables for the Virtual: Movement, Affect, Sensation (Durham: Duke

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              Source URL: www.brianmassumi.com

              Language: English - Date: 2006-02-08 17:09:26
              9Interactive Art and Embodiment : The Implicit Body as Performance Nathaniel Stern Gylphi Limited ; 1st edition (August 5, [removed]Toute What is interactive art? Is this a genre? A medium? An art movement? Must a

              Interactive Art and Embodiment : The Implicit Body as Performance Nathaniel Stern Gylphi Limited ; 1st edition (August 5, [removed]Toute What is interactive art? Is this a genre? A medium? An art movement? Must a

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              Source URL: archee.qc.ca

              Language: English - Date: 2014-02-11 18:35:11
              10Brian Massumi – The Future Birth of the Affective Fact Conference Proceedings : Genealogies of Biopolitics THE FUTURE BIRTH OF THE AFFECTIVE FACT Brian Massumi “The day the world changed.” We all know that means Se

              Brian Massumi – The Future Birth of the Affective Fact Conference Proceedings : Genealogies of Biopolitics THE FUTURE BIRTH OF THE AFFECTIVE FACT Brian Massumi “The day the world changed.” We all know that means Se

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              Source URL: browse.reticular.info

              Language: English - Date: 2007-08-23 09:06:14