Japanese painting

Results: 89



#Item
1From The Tower Painting scrolls on the Mongol invasions (Japanese: Mooko shuurai e-kotoba), by Fukuda Taika, 1846 (copy of a 1293 work by an unknown artist). Ink and water colors on paper. Height 47 cm, length of the wh

From The Tower Painting scrolls on the Mongol invasions (Japanese: Mooko shuurai e-kotoba), by Fukuda Taika, 1846 (copy of a 1293 work by an unknown artist). Ink and water colors on paper. Height 47 cm, length of the wh

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Source URL: sg.sca.org.nz

Language: English - Date: 2014-11-08 07:45:53
    2A Japanese, a Greek and a Dane stand in front of a Pablo Picasso’s painting. A phone in the hand, they observe and admire his work. A not necessarily abstract scene. eGuide

    A Japanese, a Greek and a Dane stand in front of a Pablo Picasso’s painting. A phone in the hand, they observe and admire his work. A not necessarily abstract scene. eGuide

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    Source URL: www.realitysys.com

    Language: English - Date: 2017-03-20 10:06:32
      3Suminagashi Suminagashi uses the unpredictable swirling of water to create one-of-a-kind images! Suminagashi, Japanese for “ink-floating,” is a paper 45 Minutes Age

      Suminagashi Suminagashi uses the unpredictable swirling of water to create one-of-a-kind images! Suminagashi, Japanese for “ink-floating,” is a paper 45 Minutes Age

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      Source URL: www.beyondthechalkboard.com

      Language: English - Date: 2011-08-18 10:15:08
      4Technique and Expression in Traditional Japanese Painting 会期 2016年7月23日（土）∼9月4日（日） 会場 展示室1・2

      Technique and Expression in Traditional Japanese Painting 会期 2016年7月23日（土）∼9月4日（日） 会場 展示室1・2

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      Source URL: www.nezu-muse.or.jp

      Language: Korean - Date: 2016-07-22 04:17:47
        5Workshop: Kigo and seasonality in haiku By Tom Painting Step 1: In general a distinction can be made between haiku and senryu. This point, which should not be belabored is usually established in Workshop 1. Since haiku i

        Workshop: Kigo and seasonality in haiku By Tom Painting Step 1: In general a distinction can be made between haiku and senryu. This point, which should not be belabored is usually established in Workshop 1. Since haiku i

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        Source URL: www.hsa-haiku.org

        Language: English - Date: 2012-04-15 09:38:35
        6Workshop: How-to-Haiku By Tom Painting Step1: Facilitator distributes 3X5 cards to workshop participants. On one side of the card each participant should write a definition of haiku. On the flip side, each participant wr

        Workshop: How-to-Haiku By Tom Painting Step1: Facilitator distributes 3X5 cards to workshop participants. On one side of the card each participant should write a definition of haiku. On the flip side, each participant wr

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        Source URL: www.hsa-haiku.org

        Language: English - Date: 2012-04-15 09:38:38
        7MEDIA IMAGES Sōtatsu: Making Waves October 24, 2015–January 31, 2016 In October 2015, the Freer Gallery of Art and Arthur M. Sackler Gallery, the national museums of Asian art in Washington, D.C., will be the only ve

        MEDIA IMAGES Sōtatsu: Making Waves October 24, 2015–January 31, 2016 In October 2015, the Freer Gallery of Art and Arthur M. Sackler Gallery, the national museums of Asian art in Washington, D.C., will be the only ve

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        Source URL: www.asia.si.edu

        Language: English - Date: 2015-06-01 09:44:40
        8Microsoft Word - Document2

        Microsoft Word - Document2

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        Source URL: smartmuseum.uchicago.edu

        Language: English - Date: 2010-05-11 12:04:21
        9Invitation of Japanese Style Painting —Carrying knowledge into new field— Friday, December 14th, 2007 Ninomiya House 9F Salon Have you ever seen Japanese Style Painting?

        Invitation of Japanese Style Painting —Carrying knowledge into new field— Friday, December 14th, 2007 Ninomiya House 9F Salon Have you ever seen Japanese Style Painting?

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        Source URL: www.jsthouse.com

        Language: English - Date: 2007-11-22 05:04:35
        10Inspiration and Process Meld in the Paintings of Roberta Dixon Byron Coleman for Gallery and Studio Roberta Dixon says that she imagined the very �irst brushstroke of her very �irst painting for almost thirty-�ive

        Inspiration and Process Meld in the Paintings of Roberta Dixon Byron Coleman for Gallery and Studio Roberta Dixon says that she imagined the very �irst brushstroke of her very �irst painting for almost thirty-�ive

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        Source URL: www.rdixonart.com

        Language: English - Date: 2014-06-22 16:43:36